Question:  Dear Greg ,

            I would like to hear how you respond to what not only was allowed to be done to Job’s sons and daughters, but also encouraged.  The story treats their lives as merely parts of Job’s other possessions.

            I have a problem with the conclusions of the story too—that in the end God restored all Job had and double, when those that were killed were obviously lost and simply replaced by other sons and daughters.

            If I was Job and God stood by as Satan took my children from me and replaced them with others to prove a point, I would be furious and not so easily pacified.

            Thank you for your thoughts on this.

            Terry

 

Answer:  Dear Terry,

            The charge of elitism is frequent when literate, free and progressive citizens of the 21st century read the Old Testament.  Why did God only deal with one nation?  Why did he command “his people” to kill other nations that differed in their religion?  Why did God wipe out all the families on earth except for Noah and his family in the Flood?  Why did he burn up Sodom and Gomorrah?  Why, as you say, this example from Job?

            The fact that the Bible records that God “allowed” Job’s children to die in a house that collapsed is no different than what God has “allowed” throughout history—indeed the 20th century through Lenin, Stalin, Hitler, Pol Pot, Mao Tse-Tung, Rwanda, Uganda, Vietnam, Bosnia and the Holocaust.

            Job’s children were seen as his possessions?  The Old Testament allowed slavery and the place of women and children was different than the higher value taught by Jesus and his followers in the New Testament.  Job, as a book, is actually showing the bankruptcy of the primitive theology of rewards and punishments, which were a part of the old covenant God gave to the Hebrews (Leviticus 26 and Deuteronomy 28).  In its own way, it illustrates the need for the personal relationship with God offered in and through Jesus Christ.

            In Christ,

            Greg Albrecht